{"version":"1.0","provider_name":"Songazine","provider_url":"http:\/\/songazine.fr\/v2","author_name":"Songazine1789","author_url":"http:\/\/songazine.fr\/v2\/author\/songazine1789\/","title":"Plini, un australien \u00e0 la table (de mixage)! | Songazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"http:\/\/songazine.fr\/v2\/5352-2\/\">Plini, un australien \u00e0 la table (de mixage)!<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"http:\/\/songazine.fr\/v2\/5352-2\/embed\/\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Plini, un australien \u00e0 la table (de mixage)!\u00a0\u00bb &#8212; Songazine\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"http:\/\/songazine.fr\/v2\/wp-content\/uploads\/2016\/11\/plini-live.jpg","thumbnail_width":740,"thumbnail_height":415,"description":"Le dernier EP de Plini a d\u00e9barqu\u00e9 en Europe le 28 Octobre dernier. Apr\u00e8s Sweet Nothings et End Of Everythings, on se r\u00e9gale avec Handmade Cities, le dernier bijou de notre australien \u00e0 la notori\u00e9t\u00e9 croissante. Plini est \u00e0 la fois le cr\u00e9ateur, le mixeur, et le nom de l&rsquo;ensemble d&rsquo;artistes r\u00e9unis pour la r\u00e9alisation [&hellip;]"}